(birth unknown-died after 1405) was a Catalonian painter. Serra was influenced heavily by a Sienese style introduced by Ferrer Bassa. His altarpiece The Holy Spirit can be found in the Manresa cathedral.  Related Paintings of jaime serra :. | Vienna, the Lobkowitzplatz | Elijah in the Desert | Portrait of Jeanne hebuterne iwth large hat | The Bridle Path | Poudre de riz |
Related Artists:
Hendrick van Somer
Hendrick van Someren, or Somer (1615, Amsterdam - 1685, Amsterdam), was a Dutch Golden Age painter. According to Houbraken he was the son of the "van Zomeren" who took in the young Adriaen Brouwer after he fled Frans Hals' workshop to try his luck in Amsterdam. Houbraken claimed Henrik van Someren was a good painter of historical allegories, landscapes, and flower still lifes. According to the RKD no works survive in the styles Houbraken mentioned, only "hermits" in the style of Ribera. He was the son of the painter Barend van Someren and the grandson of Aert Mijtens. He was the pupil of Jusepe de Ribera and at least one of his works had a forged signature of Ribera.He is possibly the same painter sometimes referred to as Enrico Fiammingo.
Nicolas de Largilliee
Largilliere's father, a merchant, took him to Antwerp at the age of three. As a boy, he spent nearly two years in London. Sometime after his return to Antwerp, a failed attempt at business led him to the studio of Goubeau. However, Largilliere left at the age of eighteen and went to England, where he was befriended and employed by Peter Lely for four years at Windsor, Berkshire. Painting careerEarly careerHis painting caught the attention of Charles II, who wished to retain Largilliere in his service, but the controversy aroused by the Rye House Plot against Roman Catholics alarmed Largilliere. Largilliere left for Paris, where he was well-received by the public as a painter. Upon ascending to the throne in 1685, James II requested Largilliere to return to England. James II offered Largilliere the office of keeper of the royal collections, but he declined due to being uneasy about Rye House Plot. However, during a short stay in London, he painted portraits of the king, the queen Mary of Modena, and the prince of Wales James Francis Edward Stuart. The portrait of the Prince of Wales could not have been painted during Largilliere's stay in London because the prince was not born until 1688. The three portraits painted by Largilliere of the prince in his youth must have been executed in Paris, where he returned sometime before March 1686. The portrait of King James II was painted in 1686. King James is portrayed in golden armor with a white cravat and is positioned in front of a watercolour-like background set in a round frame.
baron grimm
German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.